Ku’er Worlds: Queering Chinese American Identities in Art and Film

Ray Stark Family Theatre (SCA) 900 West 34th Street, Los Angeles, CA

Join some of today’s most exciting artists and filmmakers for a critical, surreal, experimental, and beautifully open exploration of LGBTQ communities and their allies within AAPI cultures. Ku’er, a Chinese slang word for “queer” especially popular in Taiwan, plays on the colloquial term “cool kids,” and encapsulates the subversive spirit of this evening of short

Ku’er Worlds: Art and Filmmaking Workshop

Doheny Memorial Library (DML) 3550 Trousdale Parkway,, Los Angeles, CA

Following “Ku’er Worlds: Queering Chinese American Identities in Art and Film,” USC students are invited to join acclaimed filmmakers Andrew Thomas Huang, WangShui, and Hao Wu for a hands-on workshop exploring issues related to storytelling, LGBTQ identities, AAPI identities, and cross-cultural exchange, assisted by USC professor Jenny Lin and USC Chinese Studies librarian Tang Li.

Decolonizing Research: A Conversation with Indigenous Scholars

When we conduct research, we’re searching for answers that matter. Who produces the research we rely on? Who determines what is important to research, what topics deserve to be researched, and who researches it? This crucial roundtable discussion will address the fraught relationship between indigenous knowledge and scholars and the academic and cultural institutions that

Inequalities Unmasked: What Pandemics Reveal about American Society from the Spanish Flu to COVID-19

Keith Wailoo is Henry Putnam University Professor of History and Public Affairs at Princeton University, where he previously served as Vice Dean of the School of Public and International Affairs and Chair of the Department of History. The current president of the American Association for the History of Medicine, his research straddles history and health

California Dystopia: Understanding Climate Change and Social Collapse through Science Fiction

In the fall of 2020, when wildfires turned the once-blue skies of California into a glowing orange hellscape—all amid a viral pandemic marked by severe racial and social disparities and protests over police violence against communities of color—some of the darkest fiction about California’s future seemed especially prescient. Moderated by Los Angeles Times culture columnist

LaToya Ruby Frazier: The Last Cruze

Artist LaToya Ruby Frazier works in photography, video, and performance to build visual archives that address industrialization, Rust Belt revitalization, environmental justice, healthcare inequity, family, and community history. Frazier’s work is exhibited widely in the United States and internationally, and she is currently an assistant professor of photography at the School of the Art Institute